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Dominique Durand (Ivy Group) and Francoise Hardy and Sandie Shaw in the early 60s: the same battle!

underground pop group The Ivy , consisting of singer Dominique Durand (born in Paris but exiled in the U.S.) and the two songwriters flamboyant New York Andy Chase Adam Schlesinger and we offer with this fabulous Long distance out to Fall 2001 a disk elegance and magnificence scarce.

16-year career, 6 albums (this one being their fourth), 60 songs, these are figures which indicate that these aesthetes took their time to compose and favored quality over quantity . Their lyrics are generally in English, except a cover of Serge Gainsbourg ( The anamour in the disk Guestroom ), but the French accent of Dominique Durand remains an asset for the group especially with American listeners, especially those who fantasize about Paris in the postwar symbolized by Juliette Greco Café Flora. Although fans worldwide, they are strangely not the darlings of the French press, which after all is quite another sign of quality ... All Songs Long distance are exciting, but the beautiful and disturbing Edge of the Ocean remains the highlight of the disc, while remaining without doubt one of the ten best songs of the history of pop music. Just for her, the possession of this CD is indispensable ... Personally, Edge of the Ocean brings softness, freshness invigorating and unfathomable beauty that I always wanted to pop music and rock, in a quest for the grail demanding sometimes daunting or frustrating to find the perfect song . I'll let you discover this little gem in the document below (the technical quality of the video is not optimal, it is not high definition or for the image nor the sound, but it's better that nothing remains magical and the song):

is particularly by this small masterpiece filled with the charm of gentle melancholy that I often parallel between Dominique Durand and two world-famous pop singer who lit up my life as a child (then a young teenager ) amazed when I listened religiously on their 45 rpm record player portable my parents in the late 60s. The voice and the charisma of the diaphanous Dominique Durand seems indeed to be the result of a mix between those of shamanic Sandie Shaw (English singer barefoot) and those the Hardy Dream 1962. Evidence below into sounds and images via the two videos on time All boys and girls for Hardy and Had a dream last night (1967) for Shaw ("I dreamed of him " e n French):

link between the three singers seems particularly evident here. It feels the same inspiration and lonely dreamer, a postmodern disenchantment, a certain nobility of feeling. A romantic inspiration gasoline existentialist # . The two singers of the sixties have become icons in spite of themselves for future generations, particularly those of the 80 and 90, claimed by new-wave rock bands and modern pop such as Smiths of Johnny Marr and Morrissey or our Etienne Daho hex. They are the precious witness of a bygone era with fascinating substance benefactress fortunately remains at the heart of unforgettable musical, literary, and film.

# Existentialism is a philosophical and literary, which postulates that human beings form the essence of his life by his own shares, as opposed to the thesis that these it is predetermined by any theological doctrines, philosophical or moral. Existentialism therefore considers each person as a unique being who is master not only of his actions and his destiny, but also - for better or for worse - the values it chooses to adopt. (...)

Existentialism seems to result in a very pessimistic vision of human relations. Indeed, Sartre believes that man is forced to live with others to know and there it also believes that life with each other deprived of their liberties. The desperate man by his own banality has built its own power nihilate illusions to believe others to be above them and thus escape from society. This vision of the relationship to the other as a permanent source of conflict is specific to the philosophers of the twentieth century: Thus Malraux think men are trying to give meaning to their existence by being "more than a man in a man's world "(André Malraux, La Condition humaine). For Sartre, who was much influenced by Hegel, is the gaze that reveals the existence of others. The look is not confined to the eyes because the eye behind it Something that judge. At first, I'm watching others, so it strikes me as an object. In a second step, is another who looks at me so that I appear to others as object. (...)

It is possible to envisage an ideal situation where the conflict between the freedoms of everyone defuse. This could be love. Indeed, this feeling can not fear the gaze of others. I want to be the subject of another as he loves me and I want more, loving me, the other makes me a sublime object, and thanks to him and I escape to my freedom and my responsibilities. I want him to be my subject. Or the other also wants that I love, I make it my object. When I accept my prerogative to lose by becoming a subject object, the other does the same, agree that I am about it. Thus the lovers are two subjects each accepting their objectification, a life without conflict is possible. But this is only an illusion, because as the two lovers want to be the object of the other, they experience the other as the subject they are objects and not the reverse. In other words, a couple can solo over falsehood, build a more or less stable equilibrium. But with a third person, the illusion dissipates necessarily as illustrated by the trio of Lock-up: love is impossible for three. Thus, real love can oscillate between two extremes: masochism (where one is applicable) or sadism (where one is subject). The desire to "normal" is always sadomasochistic. For Sartre, the indifference is also an illusion. Indeed, this sentiment would have us believe in our superiority over the other. But in reality, the indifference of others and not release it because the mere thought of the presence of another object. (...)

Sexual desire is the only way to live in perfect communion with each other. But this is another manifestation of bad faith and a tool of narcissism, gold, it is also doomed to failure. Desire is the fall in complicity with the body, is the unveiling of its existence. Is enveloped by the body, you stop the leak. It invades the consciousness that slides into a state very similar to sleep. Passive now, he submerges, invades, makes it opaque to itself and thus compromises the individual (see text for Alain, the physics beyond the consciousness). Indeed it flatters to be desired, attract sexually, but one is the very desire of the other immediately reduced the status of a person's state of body and then to defend it is an essence of respect due the partner, who, in bad faith is necessarily friendly to us as the table is necessarily of his feet. Desire is desire for the other, desire to become his subject, man or woman-object, then automatically calls the desire for each other even if the latter is absent. We want the other as subject but we have only his body, his consciousness is elusive, and so it is certainly possible to capture the eyes of the body but not the next partner. We can then choose to submerge us in the flesh, to want the body of the other but then the body of the other is not an Other, is a body, which alone is more there for nothing. Thus unlike hunger or thirst that needs are disappearing at the same time they are made, the sexual desire is always disappointing and human remains unsatisfied, always seeking the satisfaction of a contradictory needs, it is impossible to satisfy fully. (...) [Source Wikipedia] .

Different Types Of Vgainas :p

Withering to death Dir en gray: the best album to date of Japanese quintet ...

Missa (1997)

Dir en gray began his career in 1997 with the mini album Missa which at the time was well emblematic of this particular style of training after the Japanese underground scene stamped Visual key claiming bluntly near the punk music and metal, with the desire to cultivate any imagery inherited all the years that British glam and gothic styling Japanese ancient or modern. The leader of this movement emerged in the late 80's left the group X japan very popular in the land of the rising sun in the west. In the famous quarter Harujuku Tokyo where every Saturday and Sunday of the month can be found for a "procession" incredible young lolitas, fashion victims, followers of rockabilly and cosplay trend manga and video games, it is not unusual to see fans of this movement Visual key replenish from eccentric and dark clothing , in line with those worn by their idols.

Harujuku girls (Harajuku district in Tokyo)
(click on photos to enlarge)

Withering to Death (2005)

The band Dir en gray consisting of charismatic Kyo (vocals) accompanied Die (Guitar), Kaoru (Guitar), Toshiya (bass) and Shinya (Drums), mark with the album Withering to Death a break in his career so far uncompromising (Despite the passage in a Major from the album Gauze ). With this record he left because the atmosphere just extremely dark and melancholic debut for a more music-oriented melody and pop, with a more ample and worked. It is still very far from what could easily pass in French radio and Dir en gray , even if it comes off here in the underground scene, a background keeps still very marginal. Fourteen tracks' s shackle relentlessly, but the lot is off the impressive Merciless Cult of 2mn55, Machiavellism of 3mn12, Kodou of 3mn39 and tube The final of 4mn12. We have the pleasure to find on this album, in addition to the CD, a DVD with five videos in the ambience tortured, whose music video The final . Note that all tracks are sung in Japanese, although some have an English title. To discover all the strange music coming out of the ordinary.

How To Replace Lead Pipe

COMING SOON ...

With determination and practice,
we come to know the unknown.
Aghoreshwar Bhagvan Ram

The Magic Unknown is unfathomable in action. Jean-Luc Colnot has spent many years to demonstrate the inviolable link between certain forms of magic and mysticism, putting themselves on the margins of the "authorities" on both sides.

saints will Why do they always better at the miracles that magicians who claim there yet and the trumpet? The answer is simple. The teaching of the dragon put us on the trail of a under-standing technical and ontological posi-tion-ing mystical. If the mystic in Christianity, or has obtained donations of powers is not inad-vertent and accident, but by virtue of an ontological position clear and precise.

While a mystic does not seem to be concerned and do not try to manipulate cosmic forces to achieve special effects in accordance with his will. But that is just the technical efficiency of its investment in terms of magic. Due to the relationship that establishes the mystical with the non-ego, that is to say, in forgetfulness of his own will, the effect of reversal of consciousness, " not do things " produced many magical events, which are called miracles in the case of the mystic. So-called powers, or simply the putting into operation the forces of the universe, thus appears as allowed by the basic root-men-tal, devoid of reflection and intention.

is what we call the magic of deep sleep or magic unknown.

Declined abundantly in the writings of Jean-Luc Colnot, terms such as: be without, want and do not, do without, not denial, empty void, consciousness without conscience, knowledge without knowing ... refer to something very specific and are many subtle variations of the same operation: the eve of deep sleep and deep sleep the night before, the very one that Hindus call yoguis jagrat-sushupti (from jagrat , watch and sushupti , sleep ) and St. Bernard named nicely: vigilance Lant sleep.

The Western mystical writings are filled with expressions indicative of this. " I sleep but my heart day," exclaims the Song of Songs uniting waking and sleep. Within the Divine Book of Attar, the Beloved, which represents the day, is full of praise on the sleep of his friend Ayaz: "Wonder beauty, now you're back to you, I'm going. In sleep you were unconscious, you were above the accolades possible. But as soon as you returned to you the beloved disappeared. "This is the moment where love consciousness becomes undesirable, as in the entreaty of Song of Songs:" I adjure you, daughters of Jerusalem, gazelles and hinds of the field, does not arouse, do not wake my beloved . This Dormition of the soul, Marian route par excellence, the Christian would say, is the setting abyss making significant beyond the sensitive and knowing not to know. It culminates in the mystical apophatic Denys that opens wide the doors to the Unknown: "This is the perfect unconscious power, making the best sense of the word, which is the true knowledge-based one that surpasses all knowledge. "

But the Western side of the magicians, the fear of discovering that nothing is objective, the anxiety aroused by the inability to grasp the unknown by the sheer force of imagination and of will managed to completely overshadow the mystery of sleep vigilant without performing. So when mages and warlocks are interested in the Western states of consciousness, they seem to have more interest than the waking state or dream state and their variations, ie d states centered on the form and name. Knowledge of deep sleep is itself completely omitted.

is probably the major contribution of this work to reduce re-introduction of the arcane vigilant sleep in the operational field of magic, where the art of forgetfulness is a big operation if necessary. Jean-Luc Colnot did not give the explanation, it only applies in principle, shows up the inlay in the form of his writing, drawing our attention. The Magic

Unknown begins precisely at this square-oven. Adorned with oxymorons, the vigilant sleep, darkness without light where the soul knows better study and learn, is based essentially on the abyss and put in forgetfulness of all things known or intentional.

recall what are the memory and oblivion. According to the ancient mystical traditions, the memory is not just a warehouse where s'archivent bulk memories. It is a sorting center where items are ordered in order of use and possible updating.

But the most important ranking, the highest honor of the memory is the darkroom from oblivion. The most active faculty of memory is the or-bli.

Christians like John of the Cross has always seen it and led to the ability to be forgotten as necessary to mystical experience: "In all things that hear, see, smell, taste, or touch-chera , do not make any particular register or reserve in the memory, but he leaves soon forget. He put it with efficiency, if necessary, others are remembering .

the side of magic, the ability to forget a transaction is also very important, because letting go is necessary for its projection. But lack of technical knowledge and training to the faculty of forgetting and vigilant sleep, many magical operations fail.

the same purpose and to return to the famous magical powers, it is clear that unless we wish to develop, as we move into numinous territory, the more they reinforce the "don'ts" of their development, to achieve these moments of miracles that make the lives of saints.

Forgetting conscious will redirect it to a more open field of possibilities than the personal consciousness (or ego). That is what we call magic shoot an arrow in the direction of this tradition. The deployment of non-oblivious intent or intentional fine in the realm of possibility, of course with all the technical requirements (that is to say in particular by identifying all the phenomena of recovery), allows obtain changes to conform Wanting True. In the tradition of the dragon, must therefore hear the word of efficacité magical as the proper response of the universe to express non-volitional and non-localized.

Some say it is enough to indulge in "a few cosmic winds vacuum " to control the magic. Sleep that we would add weight to the lack of ontological locality to our actions. Ignore the magic enough to own it. Of course, this is not as simple and Magic Unknown is no excuse for such laziness.

Obscurum per obscurius, ignotum per ignotius said the alchemical motto. This Ignorance is an art. It requires an effort of considerable knowledge and jump into the void, without the experience and understanding of our own mental laws (including the belief in a strong soil) leads to the fact that it crashed. Otherwise, power rquoi human cultures would have to invent traditions, rituals, relationships, the master-disciple relationship? Learning the Magic Unknown requires also requires effort and practice before everything, I think, a phenomenon of lineage and transmission, through which one sees how it operates. [...]

Vason Morgan, 2009

From the foreword Unknown of Magic by Jean-Luc Colnot, forthcoming 2011.

Gislaved Nordfrost 5 Vs Nokian

Kas product, the best rock band coldwave French ...

Little known of a public who still think that the most interesting bands that have emerged in France in the 80 are named and Phone Trust, Kas product remains the pride of those who, surprised, was confident that we could never rhyme with rock talent in our beautiful country. Group Kas product is not much, rather a duet (even a couple of lovers but that's another story) composed of the feline Mona Soyoc born in Argentina, on guitar and vocals, and rangy Spatsz , keyboardist the bit rebellious and former psychiatric nurse.

Try Out (1982)

Both from our dear French province, as of other no less famous ( Marquis de Sade , Dogs, Little Bob Story ), they united their efforts from 1980 to concoct a music never previously heard in the hexagon, a kind of explosive chemical formula composed one third of punk aggression, a third of glaciation coldwave, and a third bold-rhythmic free jazz electronico. This explosive mixture was tested with particular success in the first part of the group Marquis de Sade . The innovative approach bearing fruit, our two Nancy had the opportunity to get out the excellent Try out in February 1982, well helped by a mouth to ear monstrous addition to some papers of complimentary two or three rock critics not quite incompetent (It exists ... looking good). This first album, consisting of eleven tracks innovative energy devastating, was available and distributed simultaneously in France, England, Germany and Japan.

Bypass (1983)

The positive reviews, a small successful international tour, and good sales figures paved the way a second album in 1983, the exciting Bypass equally important as the first but more sophisticated, with better production and sound at unprecedented scale, marked by outstanding shares (the unforgettable Loony-bin , Tina town and Devill Fellow ). Probably the pinnacle of their discography. But for their third album Ego eye in 1986 (recorded and ready for two years but not released until now because waiting for a new label over confidential) The duo scored the pitch, apparently in an uncertain to changes necessary for their music. Sales fell and the couple, disoriented, began a pause that will lead to the separation in 1988.

Ego Eye (1986)

For 20 years we hear about it pretty regularly hypothetical reunion Kas product for a new album which unfortunately never comes. Especially since you can not help thinking the profession of faith proclaimed by the beautiful Mona Soyoc in the fifth song of the album: "Never come back ! Yet the duo came back against all odds in July 2005 for play his old songs on stage , invited by the organizers of Eurockéennes. The audience gave him a triumphal reception and saw the singer and keyboardist had been strangely not the contempt of years, performing their music as in the heyday of their debut, with more maturity. Alchemy is found during this festival, we might therefore understand Kas product was going out in stride after Ego eye ... In January 2011 it is still not done. But Hope springs eternal.

To soothe a little one can always settle for posthumous album Black and Black which offers some essential rarities published Originally single, and four unpublished ( Crash , Mezzo , Electric and Party). Finally, note that an excellent book on the duo was released by Editions du white truck, written by Peter Gillieth / Bertrand Larmagelle : So Young So Cold goal. Kas product is definitively entered history.

The song Nothing In The Way from the album Ego eye

Soyoc Mona (a few years after the duo)

Princess Tea Party Birthday Invitation Wording

Beauty and the Brain

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"Maybe I'll live so long that I will forget. "

Orson Welles - La Dame de Shangai

"This girl is my wife! 'Says a tall face modeled in chewing gum with a round nose that softens a piercing look. While filming of It's All True , Orson Welles holds between his fingers a number Life magazine containing the picture of a starlet at Columbia studios.

velvet eyelids, lips hemmed, cascading hair, shoulders sensual, Rita Hayworth in negligee lace and satin set the goal as a promise of happiness. This picture in black and white signed Bob Landry havoc among the IM World War II. In 1942, he ignites the desire of the rebel artist highbrow Hollywood beauties fond of latin lingerie.

Rita Hayworth

Bob Landry

The pin-up who has smiled not even a quarter of a century already ... 21 years of business! Daughter of Eduardo Cansino, the creator of English Dancing Cansinos and Volga Hayworth, a former dancer with the Ziegfeld Follies worn on the bottle, Margarita Carmen is the oldest of two brothers. His predisposition for the boards earned him up for 4 years on the stage of Carnegie Hall, but also to quit school, erected as a puppet show without a soul.

Orson Welles with vanity and bust of Shakespeare

Cecil Beaton

Attracted by the Eldorado cinema, Eduardo sum his family to leave New York. The Cansino cross America in a caravan. Branch Hill Hollywood promise of fortune and glory!

In full krack of 1929, Eduardo rejuvenates aging and Margarita. The domestic tyrant and his daughter so docile occur in pairs. If the shyness of the girl makes clear in life, she electrified the stage, goes into a trance, such a shining light that eclipses his father. It then happens to Eduardo to strike to strengthen his authority and even to slip the night in bed with her daughter since they are partners.

The existence of Rita Hayworth will be forever marked by this incestuous experience. It would take the men in her life as the center of the universe. Strive to become the instrument of their fantasies. Then, in a burst of survival, it will leave them all. A little more destroyed each time.

Gitane in dark destiny

The Loves of Carmen Charles Vidor (1948)

Rita incendiary

When Orson Welles, romantic before the Lord began a courtship, Rita Hayworth flees like the plague as he impresses. Him, a prodigy raised in a wealthy family in the pioneering spirit. She, a quasi-bohemian fallen from a nest dominated by violence and ignorance.

A table to delight the heart of Rita!

The actress comes to divorce to Eddie Judson , her first husband. Eduardo greedy as mackerel and even more, he's Margarita Carmen Cansino, which transforms into Rita Hayworth. Too dark, too chubby, too narrow forehead, it imposes a strict diet, is pulling his molars to sculpt the shade of her cheeks, subjected to electrolysis sessions.

This barbaric method of burning the skin to reshape the hairline. The front of the girl expands and lets the light as if by magic. Her jet-black hair is dyed red and forms a halo around a flaming face to the perfect structure.

Carmen before Rita after

To complete its work in beauty, Pygmalion throws his wife into the arms of Harry Cohn, the president of Columbia. She refuses to be this hard and rough looking for a star for its iconic studios. Harry Cohn did not forgive this insult to the actress. Failing to possess physically, he will make his prisoner. Engage spies for the chase, will install microphones in homes and into the wells of the star.

Rita Hayworth yields to the advances of Orson Welles after a flurry of phone calls and a series of dinners in one-to-head. She succumbed to the genius of barely 30 years old when she realizes they share the same desire: to break the yoke Hollywood. Welles most famous for his compositions as for his acting achievements shunned by the public hates the American film industry since RKO was amputated Citizen Kane and The Magnificent Ambersons .

Citizen Kane (1940)

Hayworth, a product of the 'dream factory, hope everything behind for a Meals on life with a loving husband, a gaggle of children and a battery of scrubbing pans. When Orson asks for the hand of Rita, she rejoices. In the aftermath of a marriage Express, the press dubbed the sexiest couple in the year 1943: Beauty and the Brain.

Gilda nuclear

After the adventures of radio, theater and cinema, Orson decides to enter politics. To participate in the war effort, he created the Mercury Wonder Show. A show in a tent with, the poster, Mr. and Mrs. Welles in the number of the woman cut in pieces!

Harry Cohn feels Rita Hayworth escape. It forbade him to perform on stage due to filming. Under contract, the actress is obliged to bow. Death in the soul, it links two musical films including one with Gene Kelly, then turns Gilda King Vidor.

The scene of striptease most dressed in the history of cinema is the effect of a bomb. Propelled to the front page of every newspaper in the world, sex is sacred symbol Goddess of Love . His glory shines so brightly that the bomb dropped on Bikini Atoll is named Gilda. Belle is horrified at the idea of being associated with genocide. Brain who is already President of the United States is amused by this advertisement. A First Lady of the explosive is not displease him all that morality is safe because Rita is pregnant!

During pregnancy, Orson travels America. His neglected wife drowns his sorrows in alcohol and is surrounded by friends "caring" that reveal the escapades of her husband after the adrenaline rush of meetings. A little Rebecca was born in a home where alternating scenes of jealousy and reconciliation as jousting, as Welles says to the press, just make love to Gilda to appease his demons ...

film And God created Gilda

On a whim, the star filed for divorce. Harry Cohn was glad to see him return to his creature. To better carry out its review on the couple, he lent $ 250 000 to Orson Welles. In return, the developer has committed to shoot a film for Columbia, a beautiful gift for breaking Rita: The Lady from Shanghai .

The legendary couple calls a cohort of photographers. They assist in direct Supreme massacre: the incendiary hair of the Goddess of love is transformed into a short cut platinum blonde!

Harry Cohn lack of strangulation. Delighted to avenge his producer, Belle bends without blinking at all the fantasies of his brain. Secretly hopes Rita regain Orson. It does this without difficulty on the Zaca the yacht loaned and driven by Errol Flynn during filming.

Elsa meurtrière

Si l’intrigue d’ If I should die before I wake , roman de Sherwood King scénarisé by William Castle, is the most conventional, the thinness of its leaves hatch about a way to baroque creativity Orson Welles in an atmosphere of film noir frontier of horror.

moral themes dear to the filmmaker's ethics permeate this work deadly. Good and evil does not reside only in the hands of the protagonists, but also appear to be organized by the command of a superior force which the camera would be a merciless eye to the iris shrill.

The famous dives wellesiennes destabilize the characters dizzying. They stalk their shenanigans by equating them to the decadence of a capitalist world where Welles plays with the codes of Hollywood movies to better pervert. A glamorous silhouette kiss exchanged before an aquarium phosphorescent invaded by monsters. A boat is not moving on the ocean, but through swamps infested with snakes and crocodiles, predators on the prowl.

Elsa Bannister and Michael O'Hara

Elsa Bannister, the character of Rita Hayworth, is erased from all smiles and remains elusive in the infinity of reflections. Orson Welles chose to abandon his heroine in the desert Luna Park in San Francisco.

manipulative, monstrous, she screams like a bitch "I do not want to die! "On a dirty floor. Rita is a dancer Hayworth then the actress. Shambles, rampant, the star most desirable is transformed into martyrdom on the altar of the grinding machine of Hollywood!

Letting loose die Elsa Bannister in a hall of mirrors of junk, part of Orson Welles in the list of men who helped to destroy the woman. At the end of the film, Arthur Bannister draws blank in the mirrors. This character disorder spouse alone meets the perversities of Eduardo Cansino, Eddie Judson and Harry Cohn.

image multiplied Bannister around Rita Hayworth intertwines the devastating influences of her father, her first husband and his producer. Visions Vampiric which only the character played by Michael O'Hara Orson Welles manages to escape. Crushed by guilt, he flees to the edge of the horizon while his voiceover wellesienne purely distance between this image and its interpretation own experiences, whispers about Elsa / Rita: "Maybe I'll live long enough to forget. Maybe I'll die trying. .

Diva Alzheimer

The Lady from Shanghai , butchered by Columbia on the orders of Harry Cohn furious about the vision of rushes, is a dismal failure. The brain does not care. He settled his account at Hollywood. File it in Italy, joined the Old World, where his genius seems to be better understood. Belle's quick to follow. She settled on the Riviera.

stalked by the paparazzi, she goes out with men to stir up the jealousy of Orson. Among her suitors, a playboy prince charming: Aly Khan. It clings . Rita ultimately cede.

the eve of his third marriage, Belle sets a final visit to his brain. But the heart of any director in his Macbeth stopped beating at the same pace. The die is cast. Rita Hayworth is not First Lady but princess. The fairy tale is short because the prince is an inveterate womanizer!

People of yesteryear: Rita Hayworth and Aly Khan

Orson Welles, at long, sentimental journey will follow his ex-wife. Wrecks two marriages with Dick Haymes and James Hill, men who see Rita as a lucrative business.

At that time, the actress denied the role of Maria Vargas The Barefoot where Joseph L. Mankiewicz inspired by his personal life. She also declined the offer of Fred Zinnemann, who intends Karen Holmes in From Here to men .

The Brain became ogre

cyclothymia, the performer Gilda alternates between angry outbursts and silence phases. The failure of memory allocated to alcohol gradually away from the studios.

In 1980, his second daughter Yasmin Aga Khan (1) the results to a specialist. The diagnosis is definite. The star is suffering from a degenerative unknown: Alzheimer's disease.

La Belle in the shadow of herself

Rita Hayworth by Douglas Kirkland

Some before his death in 1987, Rita Hayworth meets Orson Welles in a palace hall. The giant has become an ogre wearing a broad brimmed hat and a huge black cloak. He approaches the greatest love of his life. The features and look tired, Rita fixed interrogative. It is said that the ogre could not restrain his tears in front of Belle, who had forgotten everything. Until his brain.




(1): In 1981, Yasmin Aga Khan founded the Alzheimer's Association who always organizes galas to raise money and opininon alert the world about the disease.

***

RITA 'S TOUCH

The mystery and ambivalence Elsa Bannister enchants on the big screen a little boy of Oran. His name: Yves Saint Laurent.
The magic light of Orson Welles and costumes designed by Jean-Louis makes a woman Rita Hayworth YSL early. Dress code to decrypt: peas, satin, nodes on the evening dresses and especially the famous cloak aboard Zaca !




In 1990, David Fincher makes the video clip Vogue. Tribute in black and white to a golden age of Hollywood, where Madonna adopts the short cut and platinum blonde is (among others) look very "Lady from Shanghai" revisited by Jean-Paul Gaultier. Choreographed by Karole Armitage punk ballerina, Madonna cites the name of Rita Hayworth.




Gilda in turn inspired the Walt Disney Studios in 1988 Who Framed Roger Rabbit ? Robert Zemeckis. Miss Hayworth turns into toon and become the fatal bomb Jessica Rabbit.




In 1994, Frank Darabont turns The Shawshank Redemption, a movie based on the novel by Stephen King: Rita Hayworth and redemption of Shawskank . A scene and a poster of Gilda allows Andy Dufresne Tim Robbins alias to imagine and to hide his escape.




Ditto for the great David Lynch in 2000. The construction of the double character of Rita / Camilla Rhodes played by Laura Harring inspired by the Goddess of love in Mullholand Drive.

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